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Chinese Art and Culture (Trade Version) | 
enlarge | Authors: Robert L. Thorp, Richard Ellis Vinograd Publisher: Prentice Hall Category: Book
Buy New: $134.89
New (5) Used (5) from $67.50
Rating: 1 reviews Sales Rank: 582270
Media: Hardcover Number Of Items: 1 Pages: 352 Shipping Weight (lbs): 4 Dimensions (in): 11.3 x 8.5 x 1.3
ISBN: 0131833642 Dewey Decimal Number: 709 EAN: 9780131833647 ASIN: 0131833642
Publication Date: April 2, 2003 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Condition: new hardcover in dustjacket,ships same or next business day with delivery confirmation
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Product Description
This book takes a look at Chinese art within a variety of contexts—archeological, cultural, historical, social, and ritual/religious. Organized both chronologically and thematically, it covers a full historical span and includes a wide range of media settings for art—from elite to popular. An emphasis on the dynamic processes that effect the history of Chinese art: social, economic, political competition, urbanization, markets and tastes, and quests for cultural authority, allows specific works of art to be discussed in extensive detail, while setting them within larger explanatory stories. A guide to Chinese art for individuals interested in one of the most abundantly artistic cultures in the history of the world.
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| Customer Reviews:
A great survey on Chinese art! March 6, 2002 28 out of 28 found this review helpful
This is a great book for a serious survey of Chinese art and also for common readers interested in Chinese art and culture. The first six chapters by Robert Thorp deal with the period between the Neolithic and the Tang, and the rest of four chapters by Richard Vinograd cover from the Song to the 20th century. Both scholars offer succint yet comprehensive historical and cultural backgrounds, and also the images are discussed in terms of important concepts and themes in Chinese art, rather than traditional categories of architecture, sculpture, painting, and decorative arts. This approach works effectively in avoiding any imposition of the art historical concepts derived from European tradition, and also enable readers to be fully engaged in the subject. When comparing with other survey books on Chinese art, it takes a middle path between the traditional style of _Arts of China_ by Michael Sullivan and an intense and provoking style of _Art in China_ by Craig Clunas.
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